SETTING THE STAGE : A FLORAL AFFAIR

With Live and Let Die playing as if summoned by fate, Justin Hayward-Young and his band stroll onto the stage. His slightly unbuttoned white shirt exudes charisma, and the audience is immediately hooked. The set is a visual ode to Morrissey’s Hand in Glove era: faux carnations spill across the stage like confetti, not just stage right but everywhere. The opening track, with its unmistakably Smiths-inspired vibe, sets the tone. The audience is already grinning, thrilled to be part of this indie-pop prom.

The band wastes no time, launching into Love to Walk Away from their latest album, Pick-Up Full of Pink Carnations. The twangy, rugged guitar lines underscore lyrics of romantic complexity, transforming the Docks into a rock’n’roll time capsule.

No Breaks, Just Hits

If The Vaccines have one flaw, it’s their ruthless efficiency in delivering hit after hit. The sugar rush of Post-Break Up Sex comes early in the set, part of a relentless wave of irresistible pop bombs. Their charm is undeniable; even skeptics surrender to the addictive pull of their melodies.

The band’s sound? Think The Ramones on amphetamines, with moments of grandiosity reminiscent of Manic Street Preachers or Doves. It’s the perfect antidote to the monotony of modern life. Justin’s Elvis-like sway, the band’s tight orchestrations, and the classy flourishes of Timothy Lanham’s keys keep the energy high and the audience captivated.

Crowd Fever: A Prom to Remember

By now, the Docks are alight. Couples sway together, beers in hand, moving as if entranced by the music. A pair of English-speaking fans near the front seem to be having the night of their lives, backs pressed together in rhythmic bliss. The band reciprocates with unrelenting energy, delivering on every promise their reputation has made.

Justin reminisces between songs, recounting a youthful road trip to Lausanne at 19, sleeping in a car to catch a concert. The connection feels genuine, and the audience—laden with expats and locals alike—responds warmly. It’s not just a gig; it’s an experience.

Vaccines: Contagious and Irresistible

The Vaccines’ set is a perfect cocktail of tight performance and playful interaction. Songs like Discount De Kooning (Last One Standing) showcase their ability to blend structure with spontaneity, weaving soaring crescendos with hypnotic breakdowns.

As the night comes to a close, it’s clear: The Vaccines have infected Lausanne with their euphoric energy. Their Swiss love affair seems destined to continue, and anyone who missed this show should be marking their calendars. When The Vaccines return—and they will—you’ll want to be there. Catch the Fever. Book your tickets next time.

Photos and text by David Glaser

Thanks to Les Docks, and especially to Alexandra Duvanel.